Claudio Bagagli,is a painter no doubt representative of our time. It can be seen from this type of object that uses in his paintings. Objects and subjects that you would not expect ever to see in the picture. The technique chosen for its representations, is linked to the use of acrylic colors, with a prevalence of primary colors. 'S approach and the use of the particular perspective, which is found in some of his paintings could relegate his art to such naive. This statement, however, is not really completely accurate. His is a style of painting is not contaminated, but certainly not naive. As this section has a classic and sure that it flows from one hand simply amazing and enviable. This, taking into account that the painter, is venturing into the art world from a very small time and clippings of his time, from 2009 . From just three years. A painting, its not at all shy and constantly changing, and fast. The thing that makes it special and very far from any influence of note, is the choice of subjects to be in his beautiful paintings. Predilection that often falls on the representation of objects of worship that are part of our present or have been part of our recent past. Items not easy to interpret and assimilation, for our part, observed and represented in a work of art. Sheet metal and mechanical objects that given our current narrow-mindedness, would only place them in an album of photographs. The 'Innovation of the artist is contained right here in this concept. With its enviable works of invoice, can break with the current constricting, which inevitably requires us to our present. And that can break down that trial preconceptual hours since we had art. That mental model, which we have long been linked. And that requires us, the difficult acceptance of new and existing elements, which surround our present than the simplest way to acceptance. Usual route, which consists of all the "clichés" where the representation of the subjects suffered from the overall influence of the past. Such figures, still lifes, animals, nudes, etc.. The objects in daily use, and current events, are really hard to bear, and especially to be welcomed as a mental representation of a work of art. The combined expertise of Claudius to his choices, encourages us and helps us to break our old patterns and our outdated and rooted ideas that we have the concept of art, placing ourselves in the extreme beauty that can happen and do not take the tangibility of this, especially if found in a work of art.
F.B.W
